ithildin: (Afternoon Delight)
Welcome to the sixteenth installment of Methos Episode Discussion. You can find the last one, for Forgive Us Our Trespasses here. All prior episode discussion links can be found over on the sidebar.

The Modern Prometheus, Air Date: May 1997

Lord Byron, the brilliant Romantic poet, is alive and well and living the decadent life of a rock star. He lives life way over the edge and has taken some promising young musicians over the edge with him. When following in Byron's footsteps tragically ends the life of Dawson's protege, MacLeod is faced with a decision -- is the beauty and genius that is Byron worth the cost? ~ recap and quotes via tv.com


Quotes below the curtain





Duncan: Duncan: Cut the crap - Mike is dead because of him.
Methos: No, Mike is dead because of Mike.
Duncan: The kid idolized him. Maybe he didn't pull the trigger but he sure as hell put the gun in his hand. "To live like me you have to be like me." Come on, Methos, Mike couldn't do that, he wasn't Immortal.
Methos: And that is not Byron's fault
________________________

Byron: My task is done. My song has ceased. My theme has died into an echo...it is fit.
________________________

Byron: Would you rather have a tombstone that says "he lived for centuries', or one that says 'for centuries, he was alive"?
Methos: You're not listening to me - I don't want a tombstone.
________________________






Next up will be Indiscretions aka The Methos & Joe Show 'Archangel'.

Date: 2006-06-13 03:09 am (UTC)From: [identity profile] kethali.livejournal.com
Intent matters to Duncan, I think, despite his claims to the contrary. And as I said, I believe he is consistent, but it's human consistency, tempered with his knowledge of intent and background. It's far from flawless, but it's a long way from random impulse too.

I never meant to imply that Duncan acted on random impulse--he's much too controlled for that and it would be grossly out of character. So ok, let's say he deals out judgment with flawed consistency and leave it at that. I'll buy it. But the other part of the argument that irks me is that people keep repeating 'Byron wanted to die', as if it justifies anyone else's choices. Duncan’s choices.

Byron wanted to die, no doubt about it. What does it have to do with Duncan's decision, though? He's no Immortal Kevorkian, after all, and it wasn't exactly compassion for the damned guiding his sword arm when he took Byron's head.

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